New Ways, Old Thinking, In Belvidere

Northern Illinois has a plethora of very quaint and beautiful small municipalities. I've had the pleasure of living in several of them throughout my life in this State, such as Galena and Elizabeth. One of my favorites is Belvidere, a beautiful City with a vibrant atmosphere situated East of Cherry Valley. One of the most attractive things about these locations is the creative culture.

As I was driving through Belvidere today on an errand, I took notice to one of their community statues that you see in the picture, of heroic police and firemen protecting and helping the vulnerable child, and I could not help but note also the clothing on the statues (in this case, scarfs, which are a seasonal dress).

As humans, we do a lot of things subconsciously, even from our distant past that seems to carry on through evolutionary timelines. In ancient Pagan times, it was not uncommon at all for citizens to clothe statues of their Gods and Heroes during certain festivals or times of year. In Greek culture, you have traditions like Panathenaia, and even if there wasn't a special occasion, one would not have considered it odd to see a Cult cleaning and robing their Cult Image at the beginning of the day.

While the people of the City today may not interpret the act in the same way as ancient man, or even as a religious devotion, I think there's something in our soul that never goes away, that always, in some form, calls out to where we truly came from and where we can never truly separate ourselves. It goes back, I think, to what a Hellenic friend of mine told me a long time ago when we were talking about Greek Christians who still have statues of Greek Gods in their homes, businesses or restaurants. Simply, "It's in their blood."

In the Goodness of the Gods,

I'll see you at the next Herm down the road,

Chris Aldridge.

The Riace Bronzes: A Hellenist On The Unsolved Mystery

Most people have probably already seen these two statues, but know them by sight only, because there are no other details, not even that modern archaeologists can tell. No one knows who the statues depict or how they even ended up where they were found. 

For those who may not know, The Riace Bronzes refers to two magnificent bronze statues, believed to have been made in Attika or Argolis in the 5th Century BCE, and somehow ended up at the bottom of Italian waters in a place called Calabria. The pieces are not only notable because of their mystery, but because of their amazing precision and detail to the, apparently, human makeup. 

When the Greek Reporter released a recent article on the topic, it grabbed my interest because I love historical mysteries, not to mention that I am a devoted Hellenic Polytheist.

The first question would be, if the statues were made in Attika or Argolis, how or why did they submerge off the coast of Italy? Let us consider that the 5th Century BCE was the era in which the Parthenon was built. So there were magnificently well known artists in that area during that period, who could have been commissioned by people outside the region to make statues or buildings for them. 

We must remember that the most famous artist of the Parthenon was formerly the artist of the statue of Zeus at Olympia, which was one of the Wonders of the Ancient World. He had been called on, or hired, by Pericles for the Athenian Akropolis.

Even today, the best way for an artist to make a living is to find patrons. Without people who admire and are willing to buy your work, you travel the road of the starving artist. It's very well possible that these statues could have been made in Attika to be shipped to people or cities in other parts of the Greek world, and either fell overboard or went down with a sinking ship. 

They were obviously foundered while on the way to their location. People don't normally order expensive bronze statues only to throw them in the ocean. So although they were found near Calabria, we can't confirm that's where they were headed. Nevertheless, somewhere in the Western Greek World around that region is a safe bet.

Ancient Greeks began settling in this Italian area as far back as the 8th Century, which means the patrons, or whoever ordered the statues, were likely of Greek descent or at least had an admiration for Greek culture.

But who are the individuals depicted? I would theorize Greek Heroes. While Greeks settled in this area much later than the Heroic Age, Heroes of Greece were believed to have traveled to the area long before. Odysseus, and very notably Diomedes who commanded at least 80 ships in the Trojan War. 

After the war, He exiled Himself into Italy for fear of his life and even founded cities there, one of which is called Arpi, which is only around 3 hours away from Calabria's region itself. Who's to say that at least one of the statues didn't depict Diomedes and wasn't going to Arpi? Two perfectly depicted human images traveling together, I'd say there's a good chances we are looking at Heroes. Which ones, though, sadly remains unknown. But let's look upon the genius of the ancient Greek mind and marvel at what we do know about them.

In the Goodness of the Gods,

I'll see you at the next Herm down the road,

Chris Aldridge.

Does Medusa Shed A Tear Above My Temple Doors?

Click To Enlarge

Interesting things always happen in the life of a Hellenist, even if sometimes we may not understand them, or misinterpret them entirely. Hellenism is a life of learning, experiencing, and philosophizing. Above my temple doors has long stood a plaque of Medusa, although it was originally white, with a flawlessly smooth surface, and in actuality was placed not to only represent Medusa, but the Gorgon itself, as it is a powerful protective Spirit in Greek religion. In fact, Alexander the Great wore one on His breastplate. In the past, I have also pointed out the fact that the story of Medusa being a vilified rape victim who was turned into a monster is the Roman version. In Hesiod (the Greek), she is a natural born Gorgon (although she was the only one of them who could be killed, and therefore possessed a mortality about her) and there is no mention of a rape or a temple desecration whatsoever. 

Recently I was adding some additional paints to my temple areas. With some left over bronze, I decided to give the Medusa plaque some color. When finished, I noticed an incredibly straight line descending from the left eye, which I thought was strange since the surface of the piece is smooth and I made no additional marks with my brushes. The image appears to be shedding a noble tear as she overlooks the doorways. Of course, I could simply paint over it, but I have decided to let it remain. Could this be something symbolic? If so, what? What could it mean or what could Medusa be trying to tell us?

Well I think there are many ways to look at it, as there are usually numerous ways to view everything in the world and the spiritual realms. I reject the idea that it has anything to do with a sexual assault or unjust sentences because, as I stated earlier, that is not the Greek telling. The first is the simplest. I imagine it's painful, sad and demoralizing to have your head severed off. Secondly, it could represent the strife and endurance of Medusa, and more largely, the Greek people themselves, even in the face of centuries of oppression. Finally, it may signal to an oncoming foe that physical and emotional powers are tremendous here, and no amount of pain or terror will make them run. I imagine the tear could also be a representation of all of these three things combined. Of course, I do entertain the possibility that it is merely a painting error, but as I said, it would seem very odd given the structure of the image.

I was honestly a little hesitant to make this post at first, as I didn't want to seem like a starry eyed zealot who thinks their statues are sobbing. I do not. I think that, if it does mean something, it's a symbol to be interpreted. But in any case, I just couldn't get over the fact that it appeared so obvious, and strangely so. I therefore wanted to talk about it. I'm sure many other Hellenists and Pagans out there will have their own opinions, and I am delighted to hear them, that we may grow in enlightenment together.

In the Goodness of the Gods,

I'll see you at the next Herm down the road,

Chris Aldridge.

Ceres V. Jesus In Missouri: Outcry Over Capitol Dome Statue

A statue of Ceres, the Roman Goddess of agriculture, is set to take place atop the capitol dome in Missouri, and this has drawn outcry from a conservative representative, Mike Moon, who has asked the governor to stop it from happening, citing the argument that if he were to put a statue of Jesus in the same place, there would be great opposition. As someone who is a strong servant of the old Gods (Greek), and also who believes in the separation of church and state, I thought I would give my outlook on this controversial matter, as I do not think there is really a comparison between a statue of Ceres and the theocratic dictation that many Christian representatives wish to institute among the American people.

In my religion, Demeter would be the equivalent of Ceres, and indeed, She has many similarities to Ceres in the Roman Polytheistic culture. So should the statue of Ceres return to the capitol dome? Well, for one, I think the representative who attacked the statue is severely misguided. If he put a statue of Jesus up there, we all know it would be with the intent to impose Christianity on the state of Missouri, and he proves this by citing the bible, calling Ceres a "false god," and further stating that Missouri has "no need for any other gods." Clearly, he doesn't think any religion is valid except his own, and has absolutely no respect for any other culture. Therefore, for him to erect a statue of Jesus with his personal intent, would be completely different than a statue of Ceres for the purpose of a simple ideal or symbol. The people placing the statue of Ceres aren't trying to force everyone into Roman Polytheism, because no one in the State Assembly follows that religion in the first place. The statue isn't being erected for religious dictation. 

Therefore, I do not see an issue with the statue of Ceres being atop the capitol dome, because it was likely not erected for reasons of violating the religious rights of anyone, or of imposing a certain religious ideal. There are also no religious laws being made. Quite likely, Missouri placed it there to symbolize abundance, prosperity, and general success for their state, which are the things Ceres represents. She might even stand for a sense of multiculturalism, since agriculture is essential to every human culture in the world. In other words, what matters is intent.

It should also be noted, that Greek and Roman Gods appear in many places in our country. The Lady of Justice, or the blind folded Lady, is Themis, the Greek Goddess of Divine Law. Athena sits on the seal of California, and another depiction of Ceres can be viewed on the seal of New Jersey. The statue of liberty itself is a Roman Goddess, Libertas. The Missouri Capitol building is even a mirror copy of ancient Greek and Roman architecture. Ancient Greek and Roman civilization basically built the Western World. There is no denying that the influence is significant on the United States. If Mr. Moon wishes to "get rid of Pagan things," he has a lot more to remove from our nation than just the statue of Ceres. He would have to uproot the entire foundation of the country and every state therein.

You can read the story here. But what do you think? Is the statue of Ceres atop the capitol dome a violation of the first amendment or the separation between church and state? You decide.

In the Goodness of the Gods,

Chris Aldridge. 

Aphrodite's Stronghold Against Christianity

As the 4th Century CE rolled on, the rising Christian State, led by the power of Rome, was stopping at nothing to persecute the Polytheists out of existence. The old religion(s) under the Christian Emperor Theodosius I, had been outlawed, and in 393 CE, he finally banned even the Olympic Games of Greece. Of course, the persecution didn't begin with Theodosius and it wouldn't end with him either. But it would have appeared that the "massive state pressure" concerning the Christian State that Walter Burkert talks about in his book Greek Religion, was finally taking hold in its mission to force everyone into the new religion.

However, according to recent archaeological finds, it appears as if the worship of the Greek Gods, namely Aphrodite, set up a stronghold in Thessaloniki through the 4th Century, a region in the far north of the Greek mainland. By 306 CE, Christianity had already found its way into Thessaloniki, but there were apparently Greeks who refused it until the end. During the excavation of the metro, workers came across thousands of artifacts from the time period, most notably statues of Aphrodite, giving testament to the enduring worship of Her during this highly hostile, anti-Pagan time. Devotion to Her was as strong as the love and sexual desire itself over which She rules and gives to humanity. She was, without a doubt, one of the most hated Goddesses among the Christians, because She represented sexuality and freedom of the body. Christianity knew it could not gain control over the masses without shackling the basic human makeup. Aphrodite was a dire threat to the very core of their objective. 

These finds are not only significant because of their history, but because it seems to show that, despite what the modern Church says, not everyone willingly accepted Christianity. Some people, probably most of the population, resisted it. There would have been absolutely no other reason for Christians to make laws forcing people to give it up. So today, we should also draw an inspired spirit as we look at the remains of undying devotion to the Gods, and carry it on into tomorrow and the days and years to come as we move to restore the traditional identities of humanity. No matter how hard, hopeless or hostile things get, let us never give up our beliefs, our love, our devotion.

To read more details about this recent story, check out the website of my friend and fellow Hellenist, Baring The Aegis.

In the Goodness of the Gods,

Chris Aldridge.

How Do I Begin Practicing Hellenism? Beginner's Course

In the past, I have written about practices for beginners of Hellenism, as some people who are new to the religion have absolutely no idea how to even begin the practice because of the lack of information. When it comes to a mainstream religion, information on it is extremely abundant. With a mere click of a mouse or a quick trip to the library or bookstore, one can uncover centuries of detailed information. But as for a minority religion, there is little to none, especially when you consider the religion of ancient Greece because so much of the history has been lost, misrepresented or remains hidden. So, in the post, I will lead the beginner through basic steps to begin their journey into Hellenism.

One good thing about Hellenism is that it does not require a special rite or passage, unless of course you are part of a specific organization or temple who might have their own methods of initiation. But generally speaking, there is no such thing. You merely have to decide that you want to worship the Greek Gods in accordance with Hellenism, which I assume you already have if you are reading and considering this entry.

Shrine and Altar
The first step in Hellenic worship is to establish a place for such activity. To begin this section, one should take into account the difference between a shrine and an altar. To put it simply, a shrine is a place for divine representations. In other words, statues, pictures, and sacred objects. Consider the shrine to be the house of the image or images of the Gods. The altar, usually being part of the shrine in some way, is where offerings are given and other ritual work carried out. For example, my altar exists to receive offerings for the Gods and to hold the flame of the entire shrine and altar structure itself.

A shrine can be constructed to all the Gods, or to a specific one, which is more of a Henotheistic approach to Hellenism if a singular representation of one God is all that exists in a Hellenist's worship, whereas most of us worship numerous Gods. Some Hellenists may have a specific shrine to Hestia in their home, but another shrine for general Hellenic worship. In constructing a shrine or shrines, it can be easy for a Hellenist to be carried away with the projects. Hellenists are called hard polytheists, and not without good cause, because we are extremely polytheistic people. We believe in numerous Gods, Spirits and Heroes, too many to reasonably list here. Therefore, one could find themselves wanting to build numerous shrines around their home. My wife use to joke that I turned every available space into a shrine, and it was true, I was always looking for ways to build things for the Gods. While this is perfectly fine if that's what you want to do, I found it exhausting to go from one to another, so I made one large structure to hold all of my statues and the altar beneath it, as you can see in the picture above. The central shrine compartment holds a statue of every Olympian, while the top is for Gods without a throne on Olympos, Hestia's statue being in the center of the entire structure because She is first and last in general worship.

I also have a small shrine/altar to my patron Hero, Theseus, set up as a small sanctuary to Him that you can see on the right as well, which brings me to my final point about shrines and altars. Although they are two separate structures, if one is pressed for space and has to use one surface or structure for both, that's fine, just make sure the areas are specifically designated and not crossed over with each other.

For YOUR shrine set up, assuming that you don't have the money or materials to construct something hugely elaborate yet, start with a simple construction. Of course, it can grow overtime at your own pace, but to begin, I would say start by having a statue or image of an Olympian God or Goddess of your choice. You could also start with an Olympian, along with the Agathos Daimon (the Good Spirit), and a Greek Hero, as this moves to encompass the three levels of worship and prayer; God, Spirit and Hero. Of course, as time goes on, you will likely find yourself adding more things and decorations to your shrine and general worship area. Lastly, keep your shrine clean and protected. It's not a place that should be allowed to gather extreme amounts of dust or dirt, and it's not a place for keys and clothes or for house pets to walk. Keep it sacred.

The use of the altar is for offerings and ritual work. The altar itself will usually consist of a central flame. If you use a flame, make sure it's done safely. Simply put, a flame is the central fire of the ritual. It is a symbol of the Gods, and a place to consume offerings given. Often times, I use a nicely-sized candle that burns tall and hot. Usually, the offerings I throw in are small pieces of barely. One must be careful, however, to reasonably toss the offerings into the flame so you don't get too close and burn your hand. While an altar flame is a nice addition, keep in mind that fire is nothing to play with, so practice safety on every level. Also add an incense burner and a small bowl for libations. For solid offerings, you may want to also include a basic plate.

Once you have completed your shrine and altar construction, you are ready to start practicing Hellenism. However, do not mistake the shrine and altar for being the only window to the Gods. It is but a house or a structure in honor of them. The Gods are everywhere in nature, all around us, and they can be contacted whether you are at your shrine or not. Lastly, before beginning any Hellenic ritual or religious activity, make sure you are properly cleansed. This can be done through a shower or a ritual bath, and put on clean clothes, all white if possible. Now I would be dishonest if I said that I always put on all whites every time I do a prayer or give an offering, because sometimes I don't, but I do wear whites often, as well as at every religious observance, festival and offering on the Hellenic calendar, aka the Calendar of Attica.

First Offering and Libation
Generally speaking, common offerings to the Gods consist of an offering and a libation. The offering itself can be things like incense, food, or valuables, while the libation is a liquid offering, usually being something like juice or wine (if you're 21), or any other libation of good taste. Begin by giving your libation to Hestia, Goddess of the Hearth, while asking Her to be present in your home and help bring you into the presence of the Gods. Now burn your incense or place your offering to the Dodekatheon (Twelve Gods aka the Olympians), with the most going to Zeus the King.

First Prayer
Your first spoken prayer at your first ritual does not have to be an elaborate one that rivals the hymns of Orpheus. You can simply dedicate yourself to the Gods, as in a dedication ceremony of your own. Upon bringing your ritual to a close, thank the Gods for hearing your prayers and accepting your offerings, and pray once more to Hestia, for She is first and last, accompanied by a small offering of some kind. I usually use barely for this. 

Suggested Readings for Beginners
In my view, Hellenic religion exists in three forms, those being spiritual, physical and mental, or theology, practice and philosophy. Hellenic culture has given to us some of the most influential philosophy in the history of humanity, and many of those works are available today. I generally focus more on history and philosophy than mythology, because myth does not stand as literal fact or necessarily history. However, I will recommend a good mixture of some philosophical and mythological works here, all of which are easy to obtain. Start off with these readings:

• Euthyphro and Apology by Plato (Philosophy).
• The Iliad and The Odyssey (Mythology).

I hope you have found this helpful.

For full length information on beginning and intermediate Hellenism and Greek Polytheism, view my books below. Click the red links to access each one.

Hellenic Polytheism: A Personal Guide for Ancient Greek Practitioners

Light of Olympos: Ancient Greek Rites and Prayers for Everyday Life

In the Goodness of the Gods,

Chris